What was tim burtons first movie

Documentary Self. Zanuck Documentary Self - Interviewee. Self - President. Self - Presenter. Light Video documentary short Self. Video documentary short Self. Self - Director. Hide Show Archive footage 24 credits. Self - Producer. Self uncredited. Self - Director uncredited. TV Series Self - Episode 5. Muppet Performer uncredited. Related Videos. See more ». Official Sites: Facebook Instagram See more ». Height: 5' 11" 1. Spouse: Lena Gieseke divorced.

Children: Burton, Billy-Ray See more ». Relatives: Burton, Daniel sibling. This was a close one and could have easily taken the top spot, because Edward Scissorhands is simply wonderful. The movie — about an artificial man created by a lonely scientist — is a beautiful fantasy film about love and life in suburbia. Not only does it present some wonderful imagery, but the soundtrack — from frequent Burton collaborator, Danny Elfman — is almost never bettered.

It features gruesome characters, a sumptuous soundtrack Elfman outdoes his work on Edward Scissorhands and a knock-out performance from Michelle Pfeiffer as Catwoman. Yes — Batman is great, but it is a Batman movie with a lot of studio influence. Batman Returns is Burton through and through and when ranking Tim Burton movies, it has to take the top spot.

Are you a fan of Tim Burton movies? What do you believe is his best and worst? Is there a film in his portfolio that is a hidden gem?

Whatever your thoughts and feelings, sound off in the comments section below. If you found this information useful, be sure to check out one of the recommended posts below. You are commenting using your WordPress. Big Fish , however, is also a father-son reconciliation movie that wants to give you a big cry. From EW's review: "Not so much directed as refereed, this megalithic hit is bigger but less manically energetic than Burton's previous two films. Nicholson's Joker and Anton Furst's production design are dazzlers, but for a movie directed by a former cartoonist, Batman is surprisingly unanimated.

Still, Michael Keaton's mournful hero provided a surprising grace, and the video version is less murky-looking than what you saw in the theater. From EW's review: "Narrative has never been Burton's strong point, but even when his films weren't seamless they felt like coherent pop visions.

This may be the first one that doesn't hold together. Batman Returns has too many competing characters, too many sets every scene seems to unfold on a different surreal soundstage , too many "ideas" that don't go anywhere. The movie is a genuine spectacle, laced with Burton's pitch-black wit, yet in its eager-to-please mood it often recalls the jam-packed blockbuster overkill of Steven Spielberg's Hook. From EW's review : "Burton achieves the stylized atmosphere of a black-and-white film with his muted, waxy colors, so that every drop of blood stands out in bold, gleaming relief.

Too much of the story, though, hinges on familiar omens. Or would he be forced to sand off the more blackened edges of his style to finally fit in? Sadly, it looks like the latter. From EW's review : " Miss Peregrine has all the visual hallmarks of your classic Burton — a child with teeth on the back of her head, a girl who wears lead shoes to keep from floating away Ella Purnell, swapping powers with another character from the book.

From EW's review : "Are there surprises? A couple of big-money ones, notably the ludicrous would-be jaw-dropper of a finale. Yet Planet of the Apes , whose makers have claimed that it is less a remake than a reimagining, features backlot spectacle, a cast-of-hundreds battle, a weak whisper of gladiatorial vengeance — everything, in fact, but imagination. It looks like a CGI head trip gone postapocalyptic. Home Gallery Tim Burton's movies, from best to worst.

Tim Burton's movies, from best to worst. EW has been reviewing the director's films since his early days — here's how he has fared with our critics over the years. Save FB Tweet More. Pinterest Email Send Text Message. Credit: Disney. Ed Wood Grade: A From EW's review: "In a feat of creative alchemy, Burton has tapped something rich and poignant, a kind of tawdry pop essence, in Wood's story.

In , Burton created a unique version of the Frankenstein story with the live-action short Frankenweenie. Often considered the prototypical Burton film, Beetlejuice was recognized for its visual flair and interwoven themes of fantasy and horror. After forming his own production company, Burton directed the lavish production Batman The following year, Burton helmed the bizarre but touching film Edward Scissorhands.

Featuring notable performances by up-and-coming stars Johnny Depp and Winona Ryder as well as Price's final feature role as the eccentric inventor , Edward Scissorhands was acclaimed for being both a social satire and a simple tale of love and intolerance. Created with the painstaking process of stop-motion animation, the film became a critical and commercial success, while Burton was credited for his technical prowess. In , Burton cast Depp as the title character in Ed Wood —a black-and-white portrait of a middling filmmaker and his all-consuming passion to succeed.

Although critically praised Martin Landau won a Best Supporting Actor Oscar for his portrayal of a drug-addicted Bela Lugosi , the film failed to appeal to mass audiences. After producing the third installment Batman Forever and the animated feature James and the Giant Peach , Burton directed the sci-fi spoof Mars Attacks! In , he followed with an ambitious remake of the cult classic Planet of the Apes, starring Mark Wahlberg and Helena Bonham Carter.

The film earned four Golden Globe nominations. Continuing with his interest in ghoulish subjects, in , Burton directed the film adaptation of the popular musical Sweeney Todd: The Demon Barber of Fleet Street.